About
Once Upon a Voice is an online haven where singers and songwriters uncover their unique voices. Owned, founded, and led by certified vocal coach, self-producing artist, and gender-based violence activist Marcellé, the studio offers trauma-informed, neurodiversity-affirming instruction for learners of all ages. Entry into the studio begins with free or paid membership—the doorway through which our services are accessed. All paid services include access to our self-paced courses, which unfold alongside live instruction rather than existing apart from it. Adults study through Masterclass Only, Masterclass and Asynchronous Coaching, or Masterclass and Live One-On-One Coaching. Children and teens participate through group classes, weekly workshops, or private lessons. Partial need-based scholarships are available for all group instruction, and full merit-based scholarships are offered each year exclusively for youth private lessons.
Our youngest students participate in joyful, play-based group classes alongside a caregiver, combining singing, movement, and song-based learning. Classes for 0–36-month-olds incorporate foundational American Sign Language (ASL) as a form of augmentative and alternative communication (AAC) to support early communication and language development for music education, while classes for 3–6-year-olds begin to integrate phonics-based music instruction to build early literacy for musical growth. In weekly workshops and private lessons, all students specialize in contemporary commercial music (CCM)—including styles such as pop, R&B, hip hop, rock, country, and folk music—to grow as modern artists and prepare for real-world music careers. As part of this training, they also study classical, musical theatre, and jazz—not as career paths, but as tools to support their technique, stylistic awareness, and expressive range. Through these genre explorations, students learn about the cultural and historical contexts that shaped each style—building a deeper understanding of music’s roots, relevance, and evolution.
Across all ages, our singing and songwriting instruction is rooted in musical goals while thoughtfully supporting K–12 English Language Arts and STEM (Science, Technology, Engineering, and Mathematics) standards. Lyric analysis and writing support literacy development through figurative language, storytelling, and musical phrasing. Music production deepens scientific understanding by introducing students to the physics of sound, acoustic design, and digital signal flow—all taught through the lens of singing or songwriting. Recording tools and digital platforms also help students build fluency with technology and engineering concepts in creative, age-appropriate ways. Math skills grow naturally through rhythm, sequencing, and musical structure—all explored through artistically responsive, developmentally appropriate experiences.
Piano and music production are woven into all live and asynchronous services in developmentally appropriate ways, supporting vocal technique, songwriting, self-accompaniment, and demo creation. In singing services, piano helps students strengthen pitch accuracy, breath coordination, and musical expression, while digital tools like MIDI keyboards, BandLab, and Ableton Live invite exploration of phrasing, tone, and emotional delivery through guided recording projects. These tools invite students to experiment with sounds that expand their songs—layering harmonies with effects, blending acoustic instruments with synths, or weaving subtle beats beneath folk, rock, or country ballads. In songwriting services, these tools are used to craft melodies, develop harmonic structure, arrange songs, and shape expressive demos.
Students must be able to vocalize to participate in singing services, even if their vocalizations do not form complete words. This includes students who use augmentative and alternative communication (AAC) alongside their voice, as well as Deaf and hard-of-hearing students who engage with phrasing, breath, and resonance in ways that honor their sensory and expressive preferences. Songwriting services remain open to both speaking and nonspeaking students, including those who are Deaf or hard-of-hearing. Full participation is supported through visual composition, lyric writing, instrumental arrangement, and creative direction. No matter how students communicate—through speech or AAC—we celebrate their artistry and ensure they have a place to create, grow, and share their stories.
All students, parents, and guardians—including those in our free tier—are invited to join The Lyric Isles, our private online community. This virtual space fosters connection, encouragement, and creative exchange for students and families alike. Students ages 9 to 18 may share their progress through online shows. Whether discovering their voice or shaping original songs, every student is guided with care in a space built to inspire creativity, self-expression, and storytelling.
Meet Our Instructor

Marcellé is a musician, educator, and activist based in Las Vegas. She is the owner, founder, and instructor of Once Upon a Voice, an online music studio that offers trauma-informed, neurodiversity-affirming education for singers and songwriters. Her work honors music as a form of self-expression and communication, supporting students of all neurotypes and experiences—including those shaped by trauma or disability. As someone who is both autistic and ADHD, she understands the profound ways music can support emotional regulation, healing, and identity. Whether guiding musicians or launching advocacy initiatives like Voicelore—a nonprofit being developed to support survivors of gender-based violence through music—Marcellé centers her teaching on nervous system care, trust-building, and transformation through song.
The daughter of a musician who collaborated with legends such as Natalie Cole and Chaka Khan, Marcellé was immersed in music from a young age. She sang in choirs throughout her childhood, an experience that nurtured both her musical growth and her sense of belonging. Her love for music continued to deepen at the Las Vegas Academy of the Arts, where she studied piano and began exploring how musical expression could offer clarity, comfort, and freedom.
Before transferring to Loyola University New Orleans, Marcellé worked as a teaching assistant at a Montessori school, where she supported elementary and middle school students in environments designed to foster independence, curiosity, and meaningful communication. That experience continues to shape her trauma-informed and neurodiversity-affirming teaching style, particularly in her work with students who express themselves in diverse and creative ways.
While at Loyola, she earned a Bachelor of Science in Popular and Commercial Music with a minor in Business Administration. Her studies included pop, R&B, hip hop, rock, country, folk, jazz, musical theatre, and classical voice training. She also trained in songwriting, piano, and music production—laying the groundwork for a career that integrates technical skill with deep emotional and communicative insight.
During her graduate studies in music therapy, Marcellé provided therapeutic music experiences under the supervision of Board-Certified Music Therapists (MT-BCs), working with NICU babies, Deaf and Hard-of-Hearing children, and at-promise teens. She also performed for pediatric patients through the Songs for Kids Foundation, deepening her belief in music’s ability to soothe, empower, and connect. At the same time, she worked as an Applied Behavior Analysis (ABA) therapist under the supervision of Board-Certified Behavior Analysts (BCBAs), supporting autistic children in communication and social development. Though she ultimately stepped away from therapy-providing roles, these experiences deepened her interest in the many ways people communicate—vocally, musically, behaviorally—and continue to shape her belief that music can support not just creativity, but connection.
In addition to her work in education and therapy, Marcellé has long been an advocate for survivors of sexual violence, domestic and dating violence, and stalking. As a survivor herself, she has spoken at several events, including serving as the keynote speaker for New Orleans’ Take Back the Night March Against Sexual Violence. Alongside her mother, she co-created stopsexualassault.org, a survivor-centered educational platform that laid the foundation for Voicelore—a nonprofit currently in development to provide songwriting and music production services for survivors ages 18 and up, while also helping fund music equipment and creative opportunities for Once Upon a Voice students. Her advocacy is rooted in a deep belief that survivors deserve space, autonomy, and the tools to reclaim their stories on their own terms.
That same belief in reclamation and self-expression shaped her collaboration with Grammy-winning producer Devine Evans on a sexual assault awareness project. The creative process led to profound personal reflection, revealing how both trauma and neurodivergence had shaped her vocal freedom, stage confidence, and internal narrative. This work helped her reconnect with her voice and clarify her mission as a musician, educator, and activist: to help others explore, heal, and express themselves through music in ways that honor their minds, bodies, and stories.
After stepping away from clinical roles, Marcellé returned to teaching with renewed clarity, offering private and group lessons at a local music school and through the Clark County School District. To deepen her pedagogy, she earned her Vocal Educator Toolkit (VET) certification through VocaLab, a CPD-accredited program that combines speech-language pathology principles with contemporary vocal technique. This training equipped her to help students build healthy, sustainable vocal habits tailored to their unique bodies and brains. She also studied producing in the Music Production for Women's Master Your Music Program. That training advanced her skills in arrangement, sound design, and engineering.
As an artist, Marcellé creates music that supports the body and brain as much as the heart. Her latest single, “Monster”—a raw reflection on mental health—has reached over 13,000 streams on Spotify, resonating deeply with listeners drawn to honesty and emotional clarity. She is currently developing new work at the intersection of acoustic songwriting and R&B electronic production, weaving together organic intimacy and bold, exploratory sounds. Her earlier releases, including the first songs she wrote and produced independently, were featured by outlets such as Fox, Offbeat Magazine, and My Spilt Milk, and she has performed at venues across the United States, including the House of Blues. Beyond her own artistry, she continues to write and produce for others through Writing Sessions America, a professional collective that connects her with Grammy Award–winning producers, platinum-selling songwriters, record label A&Rs, and music supervisors for television and film.
These experiences culminated in the founding of Once Upon a Voice, an online music school offering trauma-informed, neurodiversity-affirming education for singers and songwriters. Through this work, Marcellé empowers students to use music not only as a creative outlet but as a way to regulate emotions, build identity, process lived experiences, and connect more deeply with themselves and others. Her teaching is rooted in both precision and compassion—holding space for technical growth while making sure each student’s voice remains their own. In the early childhood classes, music is paired with gesture and sign language to support developing communication. As students grow, she helps them strengthen their vocal and written expression while honoring their individuality. She believes that every voice, every brain, and every story deserves space to be heard, supported, and developed with care.
Whether making her own music or guiding others to create theirs, Marcellé remains committed to one vision: a world where communication is never limited by trauma, neurotype, or disability—and where music serves as a powerful bridge to expression, connection, and self-understanding. Her work as a Montessori teacher continues to inform her approach to education, and she envisions Once Upon a Voice one day expanding into a preschool and, eventually, a full K–12 school where inclusive, music-centered learning environments support children, teens, and families at every stage. Through her artistry, her teaching, and her advocacy with Voicelore, she helps people share their stories with clarity, confidence, and authenticity—honoring every voice in every form it may take.
Meet Our Students
We refer to our students and their family members as Marcellions! Marcellions can connect in our exclusive community, The Lyic Isles. To become a Marcellion, sign up for one of our free or paid membership tiers!

